The small community of Pennystown has a big problem: a seemingly endless supply of beautiful, naked, alien women have invaded.

What's the problem? Well, the girls are instinctually eviscerating any human women they come across, having sex with any men they can find, then giving birth to a new crop of girls. The worst part? The entirety of Pennystown is enclosed in a massive shell. No one comes in and no one comes out, at least not until these murderous, sex-crazed girls have been dealt with. -- Source

If you are a fan of Stephen King, you have probably read his latest novel: Under the Dome. If you think the idea of a giant dome separating a town from the outside world is original, think again. The Luna Brothers did it five years ago, and did it in an outstanding fashion. With Girls, the Luna Brothers have crafted a chillingly effective, unpredictable horror tale filled great characters and complex psychology. There are plenty of nudity here, as those lovely, flesh-eating, egg-laying girls are completely sans-clothes. But at no time was I aroused, for I was completely hooked by the story. That in itself is no small feat by the Luna Brothers, for I am someone who is very easily excited by the sight of women au naturel.

I'd love to see a movie adaptation of this graphic novel. For one thing, in the hands of a competent director and supported by a good script, it would be a great horror film. For another, well...the sight of a hundred naked beautiful girls running around would indeed be very pleasant - for me at least.

Miss out on Girls and you're doing yourself a disservice, trust me.

Support the artists and buy this series if you like it.

The Luna Brothers Site
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Issues 1 - 5
Issues 6 - 10
Issues 11 - 15
Issues 16 - 20
Issues 21 - 24 End
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Here is the follow-up to The Hedge Knight. Apparently this is too new for reviews. But you don't need them, if you have read the first graphic novel, you know you're in for a treat because The Sworn Sword is just as good.

Adapting New York Times best-selling author George R. R. Martin's SWORN SWORD! The long-awaited sequel to HEDGE KNIGHT tells the story of the adventures of Ser Duncan and his squire one year after their initial meeting at the tournament in Ashford. After traveling the land in search of the puppeteer girl Tanselle, Dunk and Egg find themselves in the charge of Ser Eustace, an aged knight who has accepted Dunk as his sworn sword. But Ser Eustace has another knight in his service who is nothing but trouble, and he will make Dunk's life far more difficult when he rashly attacks a peasant and causes grief to a local noble, the Lady Rohanne Webber. But the Lady Rohanne has problems of her own - and she knows the truth about Ser Eustace and the side he took in the battle of Redgrass Field.














http://www.multiupload.com/TF6JRX8NO0

The Hedge Knight
George R.R. Martin, Adapted by Ben Avery, Art by Mike S. Miller & Mike Crowell

Fans of George R. R. Martin may already know about "The Hedge Knight" (1998), the first in the "Tales of Dunk and Egg" series, set in the world of A Song of Ice and Fire. In 2003, the second tale, "The Sworn Sword" (2003), followed.
This is the comic adaptation of The Hedge Knight and I only have one word to describe it: fantastic.

I can't wait to read Fevre Dream, the comic book. It's been in development for so long now, I am afraid the project's been abandoned or something. Fevre Dream is one of the best and most original vampire novels ever written.

A review by Adam Volk, from SF Site.

The comic book has come a long way since its emergence in the late 30s. Once the realm of anthropomorphic cartoon animals and spandex-clad superheroes, the modern comic book is now a legitimate literary and artistic medium. The graphic novel in particular is perhaps one of the most innovative developments in the industry, thanks to the pioneering work of a handful of talented writers and artists, including the likes of Neil Gaiman and Alan Moore. No longer the pop-culture pariah it once was, the graphic novel exists now as an intriguing and respected new form of story telling.

Such is the case with George R.R. Martin's The Hedge Knight, a lavishly illustrated and highly entertaining graphic novel from Devil's Due Publishing. Martin has earned a well deserved reputation as one of the top writers working in the field of fantasy today, due in part to his highly successful A Song of Ice and Fire series. The novels, which are loosely based on the historical events surrounding the War of the Roses, chronicle the fates and fortunes of a disparate cast of characters struggling to survive in a land wracked by civil war, strife and bloodshed. Martin's writing is crisp, his characters and plots textured and realistic, and he skillfully avoids the usual pitfalls and clichés associated with the fantasy genre. In short, the series of novels are nothing short of brilliant. In The Hedge Knight, Martin -- along with the assistance of writer Ben Avery, illustrator Mike S. Miller and inker Mike Crowell -- continues the tradition established in A Song of Ice and Fire and offers readers yet another glimpse into the elaborate world of Westeros and the Seven Kingdoms.

The Hedge Knight itself takes place a hundred years before the events in the A Song of Ice and Fire novels, and chronicles the misadventures of Dunk, a burly and somewhat oafish commoner who has spent his life as a squire to Ser Arlan; a now elderly hedge knight who earns his living wandering aimlessly from both jousting tournament and battlefield alike. Like many young squires, Dunk naturally longs for the day when he too can take up the mantle of a knight; a chance he is finally given when the elderly Ser Arlan finally passes away on a mud splattered road in the middle of nowhere. Armed with nothing more than his former master's sword and a weary steed, Dunk makes his way to the great tournament at Ashford Meadow posing as an ill-born hedge knight and determined to earn fame and fortune on the jousting field.

Along the way to Ashford Dunk encounters Egg, a young boy living near a road-side tavern, who despite Dunk's best efforts, eventually becomes his squire. When Dunk eventually reaches Ashford Meadow however, he soon finds that he is completely out of his league, and with no reputation, no gold, and no noble born status. He becomes a virtual outcast amidst the seasoned knights and pompous aristocrats that flock to the tournament. Adopting the name Sir Duncan the Tall, Dunk eventually finds sponsorship with an influential noble house even as he finds his attention drawn to the beautiful Tanselle, a skilled puppeteer and artist plying her trade at the tournament.

But before the newly reborn "Sir Duncan" can try his luck on the jousting field, Dunk finds himself caught up in a deadly political confrontation after rescuing Tanselle from death at the hands of a brutal lord, and discovers that there is more to Egg than meets the eye. The story culminates in a frantic battle with Dunk's very life on the line, and results in a series of key events that will reshape the history of Westeros and have a direct bearing on future events as they relate to Martin's novels. An additional illustrated short story unrelated to Dunk's trials and tribulations, chronicles the Battle on Redgrass Field, a key moment in Westeros history which sheds some light on the dreaded house Targaryen and provides the basis for one of the Seven Kingdoms pivotal legends. It is these clever details that offer a unique glimpse into Martin's intricate and well-developed world and readers already acquainted with A Song of Ice and Fire will instantly recognize many of the allusions and references peppered throughout the text.

It is in Martin's pacing, plot and dialogue however, where The Hedge Knight truly shines. What might outwardly appear as a rather contrived tale of a squire seeking to become a knight is in reality a complex, multi-layered and highly innovative tale combining Martin's usual stylistic balance of action and character. The reader can't help but care about Dunk, Egg and Tanselle, and all are complex, well-developed characters complete with their many foibles and moral ambiguities. The Hedge Knight, in terms of the writing alone is well worth picking up, but the brilliant narrative is also complemented by the gorgeous artwork of Mike S. Miller and the vibrant colouring job by Team Kandora. In both instances the quality of the visual work is truly impressive. Miller's art in particular is almost cinematic in scope, shifting between kinetic action sequences and more subdued character driven moments. It is this calibre of artwork and writing that elevates the work into a truly unique artistic and literary experience.

In the end The Hedge Knight is well worth picking up and remains a stunning example of both the visual and literary potential of the comic book medium. With the fourth book in Martin's A Song of Ice and Fire nearing completion, and fans eagerly clamoring for more, The Hedge Knight offers a wonderful opportunity for both new readers and fans alike to take a glimpse into the brilliant and vibrant world that is George R.R. Martin's A Song of Ice and Fire.

http://www.multiupload.com/BH59ADW9RK

Official Site

Gorgeous artwork and a great story in the best noir tradition. Simply a must-read.

Review from Blog Critics:

I love the whole premise behind Hawaiian Dick, the ongoing 1950s private eye comics set in Hawaii. The noir feel of the storytelling and characters is dead-on. The ex-pat main character, Byrd, is well-drawn and has a lot of emotional baggage he’s carrying that only gets opened up in this first graphic novel.

Byrd of Paradise gathers the first three issues of the comics written by B. Clay Moore and drawn by Steven Griffin. The story immediately seized a lot of attention when it first came out because of the mixture of old and new.

Moore has a great grasp of the story, and noir must run in his veins. The set-up for the story and the execution hits all the cornerstones of the venue, and Byrd’s backstory comes as a natural progression of the case he’s on. Moore’s development of the story “reads” like a movie. He stays off the page and out of panels unless narration or dialogue is really needed. Action tells this story as well as anything, and readers often forget how much a good writer can do with a few panels of delineated action. Moore has a fantastic grasp of the concept.

As good as Moore’s story is, though, Griffin’s art emphasizes everything about it. Griffin’s use of color – bright and vibrant, then dark and moody – sets the tone for the scenes, the characters, and the atmosphere. Through color alone, Griffin could have brought home every emotion that he needed to in order to convey the story.

However, he doesn’t stop there. He gives us well imagined characters and body posture. Byrd just wouldn’t have been the cocky, worldly private eye without the five o’clock shadow and Hawaiian shirt. Mo wouldn’t have been the homicide cop without the immense stature, the clean-shaven appearance, and the immaculate black suit.

The artwork is loose and tight as needed. Sometimes panels only feature characters in action. Then there are times that the background is developed in depth. All of it looks painted, with lots of contrast and rounded shapes that flow naturally to the eye. After you read the graphic novel, don’t be surprised to find yourself leafing back through the pages just to see the artwork again.

The story is pedestrian by all outward appearances. Byrd gets handed a case to find a car, but he’s getting paid more for the recovery than the car is worth. Immediately suspicious, Byrd confronts the man hiring him and finds out the car has a cargo that belongs to drug kingpin, Bishop Masaki. This is the kind of story a noir fan would expect to find laid at the feet of Marlowe, Spade, or Hammer. Moore throws in an extra wrinkle by including Hawaiian voodoo and zombies. The horror aspect never overshadows the private eye story, though. Rather, it complements it and gives the reader a little extra zest that gives the appearance of being something brand new.

I love this story. I’ve read it a few times now and enjoy it each time. It’s simple in structure and delivers everything I’d want in a noir adventure. Plus, the zombie creep factor and a few twists and turns I didn’t see coming. The 1950s feel makes a big difference, too, like our heroes are just a little more exposed than they would be in the present day and age.

The graphic novel contains about 50 pages of extras, including sketches, notes, and script. Hawaiian Dick: Byrd of Paradise is a great entertainment and behind-the-scenes bargain. The property has also been licensed for movie development and you can see how a film would flow from these pages. This is a crackerjack read.

This file contains 2 volumes: Byrd of Paradise and The Last Resort.
http://www.multiupload.com/OVUB8ZSEJI (74 MB)

Review from Blogcritics:

So who decides if you are human? Is it enough that each person holds on to the unshakable belief that he or she is human? What if everyone else thought that you were not one of them? Does that shake your beliefs or do you hold onto them with a vice-like grip — afraid that your last attempts to stave off insanity must mean that you must hold these beliefs closer than ever?

Richard Matheson's I Am Legend forces us to ask the question: if everyone else on the planet is alike and you are the only one who is "different," then who is really human — you or them? What if all of them were bloodthirsty vampires out to kill you? Every single one of them! Since you are obviously in an abject minority, does it really matter that you believe that they are "freaks"? Does it give you the right to decide that their lives are not worth it and yours is more important?

These questions hit home; uncomfortably so, in fact, in this book. When it is in the stark black and white that is the graphic novel adaptation from IDW by Steve Niles and Elman Brown, there is no question that this is not just any other "cool" vampire book.

This book will dispel any preconceived notions about graphic novels or vampire stories. The protagonist is not a muscle-bound super-smart guy who uses cool technology and martial arts moves to bring down vampires. Robert Neville is just another small town guy who has suffered the loss of his wife and daughter to the vampire manifestation (or is it a "virus"?) and has to survive being hunted down every night. He's neither good looking, nor does he have a technology expert helping him hunt vampires. He does so the old-fashioned way — shaping wooden stakes from planks and putting up garlic cloves everywhere.

He has to constantly fight his all too human urges — fires within his loins for instance. This is a facet that keeps him tottering on the edge. Whether he will give up all attempts at humanity and rape a female in sleep — or if he can control himself — are positions that he must constantly evaluate and painfully so. He does try to attack the problem analytically to understand the "scientific" issue of vampirism even while facing failure from time to time.


Is he right in trying to preserve his ideas of right and wrong? Does he have the right to kill vampires in their sleep? Are they now the "humans" on the planet and he an aberration? How does one man fight an entire planet?

If you haven't read I Am Legend, then well, you should! And it is also a good book to show those people who believe that graphic novels are for prepubescent teenagers to salivate over hot babes/superheroes in tight costumes. This book shows that quality graphic novels can achieve a level of storytelling that is often hard to beat.


http://www.multiupload.com/OOZF1YOL38

Writer: Brian Michael Bendis
Artist: Michael Gaydos, with Rick Mays, Mark Bagley and Art Thibert
Colourist: Matt Hollingsworth with Dean White

Wikipedia

There should be more comics like Alias. Even though the main protagonist of Alias is an ex-Avenger and the story takes place in Marvel's world, this series is about a thousand miles far from your run of the mill superhero comics. Jessica Parker used to be superhero - one with unremarkable power - now she is a hard-bitten, neurotic private detective who takes photos of cheating spouses for a living, in between bouts of drunken fornication. The classic noir anti-hero. Brian Michael Bandis's great characterization and superb storytelling makes this series an instant classic and a must-read for anyone, especially people who wrongly perceive comic books as a lesser medium.

Review from Comics Daily:

Alias was launched as part of Marvel’s MAX line, a rival of sorts to DC’s Vertigo imprint intended to tell stories with subject matter unsuitable for children. And certainly, Alias did that, with its warts-and-all portrayal of Jessica Jones, a private investigator and former super heroine consumed by self-loathing. The fairer sex has received notoriously short shrift from the mainstream comic book companies over the years, so allowing a male writer free rein to use graphic nudity, violence and swearing in a female-led series about a down-and-out super heroine – well, let’s just say it could easily have gone horribly wrong.

Instead, Jessica Jones might just be one of the greatest new characters to come out of Marvel in decades. Indeed, in creating a female character who wasn’t conventionally attractive or sexualised, who wasn’t exclusively defined by her relationship to the men around her, and who wasn’t portrayed as a fantasy girlfriend for the series’ readers, Bendis created a female lead who was almost unique in the genre. That alone made the series great. The fact that he also placed her in a gripping detective saga that also served as an ongoing character study just made it even better.

Collaborating with Bendis on the series was Michael Gaydos, an artist who translated the noir-influences and emotional depth of Alias into a unique look that capably placed real, human drama alongside the fantastical background of the Marvel Universe. Occasional appearances by Ultimate Spider-Man artist Mark Bagley helped the book evolve into a meta-commentary on female superheroes just in time for the series to conclude, too soon for the readers, but, in fairness, at exactly the right moment for the narrative.

Years after the series finished, there are still lessons that can and should be learned from Alias, and it’s a shame that Jones herself has been relegated to the supporting cast of New Avengers, losing a lot of her character in the process. The planned Bendis/Gaydos Alias miniseries should remind readers of this frequently overlooked modern classic, but hopefully it’ll also serve to remind Bendis of the depth and nuance he once instilled in the character. Whatever her fate, there can be no doubt that the initial 28-issue series of Jessica Jones’ adventures deserves to be recognized as one of the best comics of the decade. If any Marvel comic can be considered a must-read, this is one that can.


http://www.multiupload.com/6G59F5Y1AN (part 1)
http://www.multiupload.com/A39H28JM4H (part 2)

Download both parts before extracting.

Bram Stoker's Dracula is meticulously and faithfully transferred to the medium of comic books by the storytelling team of Leah Moore and John Reppion, with stunning, painted artwork by Colton Worley and detailed lettering by Simon Bowland, published by Dynamite Entertainment. The result is a gorgeous adaptation and presentation of the original novel: lush, textured brushstrokes; startling transition from the dark, dreary, somber hues of Transylvania through the stark contrasts of a frightful sea voyage to the vivid hues of the daylight Victorian-era English countryside. Bram Stoker wrote his novel as a collection of excerpts from personal diaries, journals, telegraph messages and letters, written by different characters, revealing the story from these characters' viewpoints. The Complete Dracula portrays these changes in narrative voice by showing these messages neatly typed on telegraph paper with varying typefaces, or handwritten in letters or personal diaries, by different hands. Such approach and attention to detail have drawn praises and rave reviews from everyone:

“The only adaptation of Dracula you’ll ever need,” praised comics author Warren Ellis (Planetary, Astonishing X-Men). “This is the new gold standard.”

“The forefather of all gothic horror, Dracula, faithfully reassembled to its original state by a talented and exceptional creative team is a wonderful gift to the reading public,” said artist Jae Lee (Stephen King’s The Dark Tower: The Gunslinger Born). “Putting Stoker’s masterpiece back together for this new generation is like peeling away a magnificent piece of art to discover the artist’s true vision buried beneath.”

“A tremendous exercise in authenticity and precision that stretches to the proper organisation of keys on an antique typewriter keyboard,” said writer Paul Cornell (Doctor Who: Human Nature, Captain Britain and MI: 13). “Atmospheric, chilly and excellent, with an art style and a clarity of adaptation that really suits the subject matter. This is the definitive expanded version of the tale.”

“I’ve taken a look at this, and think it’s terrific,” raved author Kim Newman (Anno Dracula, Judgment of Tears: Anno Dracula 1959). “I’ve got a bunch of comics in my collection of editions and adaptations of Dracula, and I suspect this will be the best to date.”

“If Moore, Reppion and team maintain their commitment to the level of detail on display in Dracula #1, they’re bound to deliver the definitive adaptation of Stoker’s magnum opus by the series’ end!” said writer Brian J. Showers (Literary Walking Tours of Gothic Dublin, The Bleeding Horse and Other Ghost Stories). “An invigorating new look at a hoary old chestnut!”

“A superb work of art, combining fidelity to the original text with visuals that evoke the primal fears lurking in the novel.” Elizabeth Miller (Dracula: Sense & Nonsense and co-author of Bram Stoker’s Notes: A Facsimile Edition)

“A meticulous graphic adaptation of Stoker’s classic text, with powerful images that take the original tale to new heights of horror!” Leslie S. Klinger (The New Annotated Dracula)

http://www.multiupload.com/EZWBOFJCXL

Publisher: Dark Horse Books
Writer: David Lapham, Jeff Lemire, Alex De Campi, Chris Offutt, M.K. Perker, Paul Grist, Rick Geary, Ken Lizzi, Gary Phillips, Ed Brubaker, Brian Azzarello and Matthew and Shawn Fillbach
Artist: Hugo Petrus, Joelle Jones, Eduardo Barreto, Sean Phillips, Kano, Stefano Gaudiano, Fabio Moon and Gabriel Ba

Review from Comic Revolution:

As a fan of crime fiction and, even better, crime comics, Noir: A Collection of Crime Comics was one of those graphic novels I could not ignore. Rarely has Dark Horse ever disappointed me with the titles under the crime genre and now I must say I have a new favorite with Noir. The reason is simple: it contains a collection of short stories told by some of the industry’s most talented writers and artists and boy are these stories wonderfully grim.

With 13 stories by brilliant minds such as Brian Azzarello, Jeff Lemire, Paul Grist and Gary Phillips (just to name a few), the stories are on the short side but are no less exceptional. In fact, the bite-sized nature of the stories actually work well. Starting with David Lapham’s “Open The Goddamned Box” where a pair of angry boys take a female classmate captive and stuff her in a box and continues with a story by Jeff Lemire about a farmer on the verge of losing his land to a bank when fortune smiles upon him when a wounded bank robber ends up in his barn.

Fans of Mister X and the Kane series will not be disappointed seeing as there are two short stories featuring the characters from the series. In “Mister X: Yacht on the Styx,” Mister X helps journalist Rosetta Stone try to uncover the mystery behind a massacre that might have involved a dead shipping magnate. In “Kane: The Card Player,” Detective Kane and Detective Felix look into the case of a burglar that leaves a calling card. It’s certainly great to find short stories with Mister X and Kane and these two stories are actually good.

There are also some truly gruesome crime stories such as “The Albanian” where an Albanian nightshift custodian arrives on time to witness the finale of a disgruntled employee’s macabre handiwork. In “The Last Hit,” a seasoned hitman goes up against a younger hitman. Then, in “21st Century Noir” a young man meets a sexy woman online and has a chance encounter that goes sour. It’s the more gruesome stories that actually make Noir even more fascinating.

“The New Me” finds a gym’s personal trainer hitting on just about every woman in the place only to find himself interested in a woman that suddenly becomes more attractive now that she’s lost all the weight. What makes this an interesting tale is the reason why she got fit and what she has in store for the playboy personal trainer. In “Blood On My Hands,” a man thinks his wife is cheating on him so he orders a hit with an unexpected aftermath. There’s even a text short story called “Trustworthy” where a man hooks up with a woman who comes with her own baggage of the deadly kind.

Some stories are actually wonderfully written but just feel out of place in this graphic novel for some reason. “Ladies’ Choice,” for instance, finds a bored woman whose boyfriend think’s he’s a tough gangster when a cowboy shows up and sweeps her off her feet. “Fracture” deals with a woman who wonders what would happen if she pushed a homeless person in front of a subway train. Finally, there’s the short story “The Bad Night” that has a familiar content for those who know who recognize the surprise ending.

As I mentioned in the beginning, this graphic novel contains short stories written by some of the most talented writers and artists working in comics and it shows. All the stories, even the ones that I felt didn’t seem like they belonged in this collection, are not only intriguing but fun stories to read. Many of them are actually unforgettable gems.

Noir: A Collection of Crime Comics is just how I love my crime comics … gritty, dark and downright brilliant. With a collection of talented writers and artists, the stories might be on the short side but they will not fail to impress and to put on smile on your face from beginning to end. Yes, comic fans, it is just that good so trust me when I say that you will most definitely want to pick up a copy immediately.

COMIC REVOLUTION RATING BREAKDOWN

STORY: A+
There are several standout stories among the collection as well as some Dark Horse favorites like Mister X and Kane show up in interesting short stories. There are some deliciously twisted stories like “21st Century Noir” and “Open the Goddamned Box” as well as story or two with no real crime but the best ones are violent and unforgettable.

ART: A
There’s certainly no shortage of amazing artists on display whether you love Jeff Lemire’s interesting visual style, Eduardo Barreto’s classic artistic vision or Hugo Petrus’ wonderfully detailed artwork.

OVERALL: A+
Noir isn’t just a collection of brilliant crime stories but it is also one of the most darkly enjoyable rarities that make this a real gem for fans of the genre. All of it, of course, is due to the enormously talented writers and illustrators that bring these short stories to life on the pages of this Must Have graphic novel.

http://www.multiupload.com/B7TIQQNBW1

This "graphic transcription" of Philip K. Dick should be perfect for fans of Blade Runner who have watched the movie 5 times yet have never read the book it's based on. If you think you know Blade Runner by heart therefore you don't need to read the book, think again. Do Androids Dream of Electric Sheep? is very very different from the movie. I actually read this book more times than I watched Blade Runner.

By the way, notice I used the word "transcription", it's because this is not a graphic adaptation. This is a word-for-word transcription of the novel with illustrations that are both beautiful and appropriate to the book's tone.

Note: this is Book 1, which collects issues #1 to #6. Check back for more later.


From The Village Voice:

“If you're a fan of Blade Runner but have never read the source material, this experimental adaptation should be just the ticket.”

“Village Voice is a fantastic publication that is always pointing readers towards new and exciting things,” said Marketing and Sales Director Chip Mosher. “This is high praise from a source of such smart readership. We're honored.”

Since it's first release DO ANDROIDS DREAM OF ELECTRIC SHEEP? has garnered praise for numerous critics across the globe:

"...impressively, it works... it's a great job." – io9.com

"Best bet" – MTV Splash Page

"...what a wonderful idea and fantastic way to introduce the work of Philip K. Dick to new readers... a great package, ideal for newcomers and fans alike." – Comic Book Resources

"...it works incredibly well ...." – Fanboy Planet

"...it's going to be a treat. 4 out of 5. Check this out, especially if you're a fan of the novel, the movie, or Philip K. Dick." – Comicvine.com

Worldwide best-selling sci-fi writer Philip K. Dick's award-winning DO ANDROIDS DREAM OF ELECTRIC SHEEP? has been called "a masterpiece ahead of its time, even today" and served as the basis for the film BLADE RUNNER. Last Summer BOOM! Studios in association with Electric Shepherd Productions debuted the first issue of the complete novel transplanted into the comic book medium, mixing all new panel-to-panel continuity with the actual text from the novel in an innovative, ground-breaking 24-issue maxi-series experiment!

http://www.multiupload.com/LF9P68OAC3